Dr Katharine Mitchell

Senior Lecturer

Journalism, Media and Communication

Personal statement

I am a feminist, interdisciplinary, nineteenth- and early twentieth-century cultural studies researcher of modern Italy, working across and between literature, theatre, opera and film. I study actual and imagined women performers, (screen)writers, readers, spectators, through close reading and analysis of their texts, including archival materials, such as journals, newspaper cuttings, letters, and diaries, and draw on a range of studies and theoretical frameworks in literature, film, media, theatre, poetry, and opera to interpret my findings (e.g., new historicism, and feminist literary and media theory).

I was educated at state schools in the East Midlands, and worked in Italy during a gap year before studying for a BA (Hons) in Italian with French Literatures and Languages at the University of Leeds. I then taught English in Finland, followed by several years working in Arts Administration for major opera companies in London, Sydney, and Melbourne, while studying for an MA by Research in nineteenth-century Italian opera and gender at Leeds. I was awarded my PhD in nineteenth-century Italian literature from the University of Warwick, and before joining Strathclyde, I was a Junior Research Fellow at Lucy Cavendish College, University of Cambridge.

Monographs and Edited Volumes

Gender, Writing, Spectatorships: Evenings at the Theatre, Opera and Silent Screen in Late Nineteeth Century Italy and Beyond (London: Routledge, 2022);

Matilde Serao: International Profile, Reception, and Networks (Paris: Classiques Garnier, 2022), co-edited;

Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto: University of Toronto Press, 2014);

Women and Gender in Post-Unification Italy (Oxford: Peter Lang, 2013), co-edited;

The Diva in Modern Italian Culture, Italian Studies 70:3 (2015), co-edited;

Rethinking Neera, The Italianist 30:1 (2010), co-edited.

I have held five prestigious Visiting Fellowships, including two at the University of Oxford (Harris Manchester College, Michaelmas Term, 2022 & Trinity Term, 2019; St. Catherine's College, Hilary Term, 2019), Seton Hall University, New Jersey (2014), California State University, Long Beach (2014), and the University of Bologna (2014). I sit on the Editorial Board of Italian Studies and the Advisory Board of Gender/Sexuality/Italy. I was a member of the AHRC's Peer Review College from 2012-20, and in 2021 I was elected to the Society for Italian Studies Executive Committee. Between 2016-21 I regularly discussed equality and inclusion issues on BBC Radio Scotland.

I am a Fellow of the Royal Historical Society. In 2018 I was Principal Investigator leading a Royal Society of Edinburgh-funded collaborative project with the Society of Antiquaries of Scotland on Scottish and European inter-cultural and transnational exchanges in the long nineteenth century. Our workshops established the Scottish Network for Nineteenth-Century European Cultures under the Scottish Archaeological Research Framework which is housed at National Museums of Scotland.

At Strathclyde, I am Deputy Director of Postgraduate Research for the Department of Humanities and a member of the University's Feminist Network.

Current Postgraduate Research Students

Emma Ottanelli (PhD Candidate, SGSAH(AHRC)-funded), 'Weaving a Web of Peace Across Borders: Transnational Connections in Feminist Anti-Nuclear Resistance at "La Ragnatela" and Greenham Common Women's Peace Camps', (2024 - )

Michelle Esrig-Munguia (MRes Candidate): 'Recasting Fantasy with Feminism: Twenty-First Century Romantic Fantasy Fiction', (2025 - )

Former Postgraduate Research Students

Francesca Masciullo, 'Denied and Diowned Motherhood in the Works of Dacia Mariani and Annie Ernaux' (Awarded in 2021)

I welcome PhD/MRes/MPhil proposals on any aspect of film, theatre, narrative fiction, life writing and print media, particularly in relation to the following areas:

Spectatorships/audiences/readers;
Gender and celebrity culture;
Feminist media history;
Women screenwriters and the female gaze.

Expertise

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Area of Expertise

Women screenwriters and the female gaze;
Gender and modern celebrity culture;
Feminism and/or postfeminism;
Spectatorship and the figure of the diva.

Prize And Awards

Visiting Fellow at Harris Manchester College, University of Oxford (Michaelmas Term, 2022): Recipient; 2022
Elected to the Fellowship of the Royal Historical Society: Recipient; 7/2021
Elected Fellow of the Society of Antiquaries of Scotland: Recipient; 21/1/2021
Elected members of the Editorial Board for the journal Italian Studies: Recipient; 2021
Elected Fellow of the Royal Historical Society: Recipient; 2021
Elected Fellow of the Royal Historical Society: Recipient; 2021

More prizes and awards

Publications

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Publications

Francesca Bertini : silent diva, spectator & her female spectators: Mitchell Katharine, Misiak Anna, Backman Rogers Anna, Sadri Houman; 11 (2023)
La Duse, Aleramo et Serao spectatrices de la scène et du cinéma italiens au tournant du XXe siècle : rencontres parisiennes: Mitchell Katharine; Spectatrices! De l’Antiquité à nos jours (2022) (2022)
Matilde Serao : International Profile, Reception, and Networks: Romani Gabriella, Fanning Ursula, Mitchell Katharine; (2022); https://doi.org/10.48611/isbn.978-2-406-12853-3
'Envoicing' women on page, stage, and screen in early post-unification Italy: Mitchell Katharine; Con altra voce echi, variazioni e dissonanze nell'espressione letteraria (2022) (2022)
Gender, Writing, Spectatorships : Evenings at the Theatre, Opera and Silent Screen in Late Nineteenth Century Italy and Beyond: Mitchell Katharine; Nineteenth Century Literature Series Nineteenth Century Literature Series (2022); https://doi.org/10.4324/9780429293511
Scottish Archaeological Research Framework (Thematic) for the Society of Antiquaries of Scotland : Scottish Network for Nineteenth Century European Cultures: Partzsch Henriette, Mitchell Katharine, Rapport Michael; (2020)

More publications

Teaching

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Teaching

I teach and supervise across undergraduate and postgraduate taught modules in Journalism, Media and Communication, Italian, and Applied Gender Studies.

I have over 25 years’ experience of teaching Italian literature, culture, and language in UK Universities (Leeds, 2000-01; Warwick, 2003-8; Manchester, 2008; Cambridge, 2008-10; Strathclyde, 2011-) and since 2020 I have taught modules in Journalis, Media and Communication. In 2021, I was nominated by my students for my fourth Strathclyde Students’ Union Teaching Excellence Award (previous nominations were in 2012; 2013; 2017 & 2021) and for a HaSS Faculty Teaching Excellence Award in the category ‘Effective Sustained Contribution’.

I am External Examiner in Italian at Royal Holloway, University of London (2022 - ), and have externally examined MPhil theses at the University of Glasgow, (2019) the University of Birmingham (2022), the University of Kent (2023) and a PhD thesis at the University of Warwick (2025).

I have supervised to completion an MRes on 'Denied and Disowned Motherhood in the Works of Annie Ernaux and Dacia Maraini' (2021) and am currently supervising two posgraduate research projects.

I have guest-taught seminars and lectures nationally and internationally at California State University, Long Beach (2014), Seton Hall University, New Jersey (2014), Columbia University (2016), the University of Naples, "Federico II" (2021), and at the University of Oxford (2022).

Research

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Research Interests

My interdisciplinary research on Italian women as protagonists, performers and spectators (of "women's" opera, theatre and silent film in the context of melodrama), draws on gender studies, cultural studies, women's studies, literary studies, opera studies, theatre studies, and feminist film and media studies in late C19th and early C20th Italy and beyond. I also have interests in contemporary celebrity culture and gender representation in media.

My current project, Italian Female Screenwriters from the 1910s to the 1920s, argues that the female screenwriters during this period were a pioneering cohort rather than simply a generation of individual talents. Drawing on a media archeological approach (archival material evidence in film and women's journals, as well as accounts of stars and evidence in life writings - diaries, letters, biographies and autobiographies from the 1910s to the 1920s), I show how they worked across and between media in the new Italy, posing important questions about authorship, spectatorship, performance and genre. While they have all individually received attention as writers and/or performers, their collective activities have been overlooked. The project's thesis is that their international successes and influences were due as much to collaboration, networking and personal and/or professional ties as they were to their individual talents.

My most recent book, Gender, Writing, Spectatorships: Evenings at the Theatre, Opera and Silent Screen in Late Nineteenth-Century Italy and Beyond (London: Routledge, 2022) examines Italian women as protagonists and consumers of literature, theatre, opera, and film. Using personal writing, journalism, and canonical texts, it analyses female performance and women’s responses. Its interdisciplinary analysis of female relationships involving admiration illuminates a vibrant Italian female culture industry during early feminism.

My first book, Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (University of Toronto Press, 2014), adopted a new historicist approach to look at the domestic fiction and journalism of three of the most significant women writers of the period (La Marchesa Colombi; Neera; Matilde Serao). I showed how in spite of their anti-feminist public declarations, their fiction and journalism intended for women readers offered an implicit feminist intervention and a legitimate means of approaching and engaging with the burning social and political issues of the day regarding the "woman question". It won a Finalist place in the Edinburgh Gadda Prize 2019 (Vittorio Group).

Professional Activities

Modern Italy : Journal of the Association for the Study of Modern Italy (Journal): Peer reviewer; 6/2025
Italian Studies (Journal): Peer reviewer; 6/2025
MHRA Working Papers in the Humanities (Journal): Peer reviewer; 5/2025
External Examiner at the University of Warwick for a thesis titled 'Women and the Nation in Early Italian Cinema: 1905-1914': External Examiner; 1/2025
Forum Annuale delle Studiose di Cinema e Audiovisivi (Annual Forum for Women Researchers of Cinema and Audiovisual Media), University of Sassari, Italy: Invited speaker; 10/2024
Society for Italian Studies Biennial Conference, University of London, Royal Holloway: Invited speaker; 19/6/2024

More professional activities

Projects

Establishing SNNEC: Scottish and European Exchanges Then (1780-1914), and Now: Mitchell, Kate (Principal Investigator); 29-Jan-2018 - 28-Jan-2019
Scotland and Europe: Politics, Culture and National Borders - A Public Event at the National Museum of Scotland: Mitchell, Kate (Principal Investigator); Together with the Director of the Society for Antiquaries of Scotland, I hosted an afternoon of talks and discussion on Scotland's relationships with Europe past and present. Distinguished guests included Professor Sir Tom Devine OBE FRSE HonMRIA FBA FSA Scot., who presented a lecture titled:
'How Highlandism Conquered Europe: From Sir Walter Scott to Brexit'. There followed a Roundtable with speakers including Anthony Salamone, Research Fellow and Strategic Advisor of the Scottish Centre on European Relations think tank, as well as representatives of the Centre for Nineteenth-Century Studies at Durham University, the Society of Dix-Neuviemistes and the RSE-funded project Establishing SNNEC. Some 70 members of the public were in attendance.; 29-Jan-2018 - 12-Jan-2019
RSE-funded Workshop Grant 2018 - £8,000: Mitchell, Kate (Principal Investigator); A collaboration between university-based scholars working in fields related to nineteenth-century European cultures and the Society of Antiquaries of Scotland, during 2018 I led a series of free academic workshops and one major public event that examined the inter-connections and exchanges between Scotland and Europe’s literary, performance, and scientific cultures in the past to ask how our understanding of these can better prepare the people of Scotland for a post-Brexit world.; 29-Jan-2018 - 15-Jan-2018
Women at the Theatre: Writers as Spectators in Post-Unification Italy (1861-1914): Mitchell, Kate (Principal Investigator); 01-Jan-2014 - 31-Jan-2014
‘Italian Divas at the fin de siècle: Roles, Receptions and Transnational Legacies’: Mitchell, Kate (Principal Investigator); The student will undertake a doctoral thesis on 'Italian Divas at the fin de siècle: Roles, Receptions and Transnational Legacies', in partnership with Scottish Opera. Focussing on the highly-acclaimed soprano singer Adelina Patti (1843-1919), who was renowned for her performances of Verdi's heroines, the student will work in conjunction with the Director of Outreach & Education at Scottish Opera during Verdi's bicentenary year (2013) and beyond, to commission performances of Patti's and other nineteenth-century Italian divas' most famous roles, which will be performed by young Scots singers enrolled on Scottish Opera's Emerging Artists Programme

Amount applied for: £53,594; 31-Jan-2013 - 31-Jan-2016
Women at the Theatre: Writers as Spectators in Early Post-Unification Italy, 1861-1914: Mitchell, Kate (Principal Investigator); 21-Jan-2013 - 31-Jan-2013